Coming of Age in to Kill a Mockingbird Essay

Uncovered Eyes In Maycomb County, Alabama during the Great Depression, Atticus Finch, an attorney in Harper Lee’s To Kill A Mockingbird, discloses to Scout Finch, his girl, that â€Å"you never truly comprehend an individual until you consider things from his perspective †until you move into his skin and stroll around in it† (39). From the start, Scout doesn't comprehend the significance of his words, however as she develops through the novel, her eyes are revealed, and she comprehends what Atticus is attempting to advise her. After some time, Jem, as well, begins to see the significance and profundity of the announcement. Over the span of the book, Jem and Scout both discover that one must know and regard individuals for who they are as people, not for what they give off an impression of being. Mr. Dolphus Raymond is a character who is known by the residents of Maycomb County for what he has all the earmarks of being, yet Scout perceives that he isn't what he is by all accounts. Mr. Raymond is a rich white man who has blended kids, a dark spouse, and his organization is generally comprised of Negros. As a concealment for his strange conduct, he professes to be tanked constantly. Maycomb pronounces that â€Å"Dolphus Raymond’s in the grasp of whisky† (268). In truth, he is simply attempting to give Maycomb a purpose behind his strange activities with regards to his solid fellowships with Negros. He says that â€Å"it enables people in the event that they to can lock onto a reason† (268). Like Atticus, Mr. Raymond accepts that blacks ought to be regarded more and treated like individuals rather than creatures. He is a piece of â€Å"the bunch of individuals with enough quietude to think when they take a gander at a Negro† (316). Scout begins to get Mr. Raymond’s purposes behind â€Å"drinking† and his inclination for dark organization. She additionally starts to discover that throughout everyday life, there is prejudice and oppression for those that are not up to Maycomb’s guidelines. Tom Robinson is a youthful dark man who is victimized by Maycomb residents in light of his skin shading, yet Scout figures out how to think in an unexpected way. He is blamed for assaulting Mayella Ewell, a white nineteen-year-old woman. Because of his composition, he is indicted for the assault regardless of the evidence that his left hand is totally withered. Scout recalls that â€Å"a jury never takes a gander at a litigant it has indicted, and when this jury came in, not one of them took a gander at Tom Robinson† (282). Like most Negros in the South, Tom is oppressed by many white residents. He is really a pleasant, caring man, however that isn't what Maycomb accepts. Maycomb bunches him along with the various blacks. As indicated by numerous individuals of its residents, there is nothing but bad or awful operating at a profit gathering. They are simply Negros, yet Atticus negates Maycomb’s convictions by saying â€Å"that [not] all Negros lie, that [not] all Negros are fundamentally shameless creatures, that [not] every Negro man are not to be trusted around our women† (273). Throughout the preliminary, Scout and Jem see that what Atticus says is genuine on the grounds that Tom is an impeccably genuine case of a Negro that doesn't lie, is a good being, and can be trusted around ladies. In the time of around two years, Scout discovers that there isn't just racial bad form, yet additionally victimization hermits. Arthur (or all the more usually known â€Å"Boo†) Radley is someone else who is perceived the truth about, yet like Mr. Raymond, Scout finds he isn't what he is supposed to be. As indicated by Jem, he is â€Å"about six-and-a-half feet tall†he dine[s] on crude squirrels and any felines he [can] get, that’s why his hands [are] bloodstainedâ€if you [eat] a creature crude, you [can] never wash the blood off. There [is] a since a long time ago barbed scar that [runs] over his face; what teeth he ha[s] [are] yellow and spoiled; his eyes pop, and he drool[s] the majority of the time† (16). Most Maycomb residents, remembering Scout for the start, believe that Boo Radley is a maniac that no one needs to play with. As the story advances and Scout finds out about Mr. Dolphus Raymond and Tom Robinson, she begins to perceive any reason why Boo needs to be a loner. He needs to escape from the underhandedness and separation in Maycomb. Towards the peak of Boo’s story, Scout begins to consider Boo to be a genuine human, not similarly as talk from Miss Stephanie Crawford, the local reprimand. She considers him to be a living individual and thinks about him, dissimilar to most Maycomb occupants. At long last, Scout understands that â€Å"Atticus was correct. Once he said you never truly know a man until you remain from his perspective and stroll around in them. Simply remaining on the Radley patio was enough† (374). One night, she sleepily comments about the character in The Gray Ghost â€Å"Atticus, when they at last observed him, why he hadn’t done any of those things†¦Atticus, he was genuine nice†¦Ã¢â‚¬  (376). This is representative of Boo Radley in light of the fact that he is reputed for things he had never done, yet when Scout at long last meets Boo as an individual, she at last understands that every one of those allegations are untruths and one must regard others asâ individu als. Through the span of Harper Lee’s To Kill A Mockingbird, the fundamental characters Scout and Jem figure out how to regard and treat others for who they are as people. By meeting three different characters of the novel, they get familiar with this significant exercise. Mr. Raymond and Tom Robinson both show the youngsters that it is critical to regard and respect the way that Negros are, actually, people alongside white residents. Boo Radley instructs them to remain in another person’s shoes before framing an assessment about them. These two vital years in the novel show Scout and Jem the significance surprisingly on the planet. At long last, Scout is significantly more full grown and acknowledges â€Å"there is just a single sort of people. Folks† (304).